I’ve been listening to this Taylor Swift song on repeat.

Listening to “22” is a four minute jolt of infectious auto-tuney happy earnestness which bleeds into intense nostalgic yearning. The soundtrack to trying on outfits while wearing a clay facemask. Sitting shotgun driving to get frozen yogurt. Laying out at the pool and not worrying someone will make you get them a graham cracker.

It’s pretty sweet to go inward in that particular way a pop song can free you from your present, even if that present is not exactly unpleasant and you’re cool with where you are in your life. Plus, I get a tiny thrill listening to it on my phone on the train between some skinny hot girl with librarian glasses and a tough thug with his legs spread maximally.

Factors that contribute to happiness in your 20’s are sharply different than those that please you in your 40’s according to an interesting article my husband pointed out to me while constantly reading his iPad. It’s about what motivates you at those specific times of life.

http://www.theatlantic.com/health/archive/2013/05/how-happiness-changes-with-age/276274/

The author of the article, Heidi Grant Halvorson, who is on the cusp of 40, writes:

“Happiness becomes less the high-energy, totally-psyched experience of a teenager partying while his parents are out of town, and more the peaceful, relaxing experience of an overworked mom who’s been dreaming of that hot bath all day. The latter isn’t less “happy” than the former — it’s a different way of understanding what happiness is.

Social psychologists describe this change as a consequence of a gradual shifting from promotion motivation — seeing our goals in terms of what we can gain, or how we can end up better off, to prevention motivation — seeing our goals in terms of avoiding loss and keeping things running smoothly. Everyone, of course, has both motivations. But the relative amounts of each differ from person to person, and can shift with experience as we age.”

I suspect that the place of calm and complacency the author is writing from reflects that she is NOT having a midlife crisis, feeling the need to challenge herself physically by juice cleansing or running a marathon. Or becoming depressed and thinking a drastic career or spousal change will be the answer, or having another kid. This writer, in a vague, non-type A personality kind of way, seems to have what so many of my contemporaries are striving for: some peace and contentment for five minutes. It can be enough that everyone is healthy and safe and playing Junior Monopoly on Saturday nights. So good for her! This is great news and I appreciate the reminder that not everyone is out there being groovy all the time and that as parents we are occasionally allowed to breathe a sigh of relief that things are dull and unremarkable.

I listened to Terry Gross interview Greta Gerwig, 20 something actress and co-writer of “Frances Ha,” where Greta is talking about the moment, shown so beautifully in the film, where a person is a post collegiate mess a bit too long to be charming, and how some people seem to move more gracefully into adulthood than others. This film was excellent at probing that side of being youngish and flailing around, and how murky the experience of driving your life forward can feel. I loved it because it showed a character who couldn’t not be who she was, until she found her unique path, which most of us eventually do.

http://www.npr.org/2013/05/14/183648078/gerwig-baumbach-poke-at-post-college-pangs

I guess these pieces of art, this pop song and this film, are two halves of a whole. The Taylor Swift song paints a condensed and uncomplicated version of events, feeling free and happy because things are in front of you and who knows where the night will take you? And the film, “Frances Ha,” is a more lengthy, more intellectual take on this exciting and awkward time of life, more probing, more squeamish and more mortifying in its execution. Both young, female protagonists are searching for answers, hoping vaguely for the future and trying to find the joy in the journey.

I do love when a study in a magazine validates a feeling I’ve been having, which is that getting older, raising kids while watching parents age, and feeling overwhelmed with responsibility at times, can and does have its moments of relaxation and self acceptance, where your happiness can be found in staring into space and listening/watching/saying/doing whatever you want.

We need to congratulate ourselves for the work we’ve done to get to this boring-ish place.

Cue Taylor Swift, and whoever the hell else I want to listen to.

It’s funny, but not funny. How when things are moving along for me creatively, finally starting to coalesce, when I have some linkage between the hundreds of tabs open in my brain, and I’m about to sit down to tap into those ideas and stories blending and blooming like food coloring in the bathtub, that’s when another crazy fucking tragedy explodes and I’m paralyzed looking at my news feed with an open mouth and tearing eyes.

This feeling: this creeping, seeping, horribleness. It keeps HAPPENING.

This is my 40th year. And things have gotten way adult. The last six months have begat one situation after another, a whole assortment of hurt from every category: Crazy Storms. Gun Violence. A sick parent. And now, an act of terrorism that feels, in its intense personal carnage, like a massive, evil, kick in the kidneys. Because it could happen to any of us, anywhere we go, and we kind of forgot about that for a bit didn’t we?

First I try not to look at the images and read the stories. Then I indulge. And then, I don’t know how to be normal for a few days. I can’t explain these tragic things to myself, why this person, how that person, what if that person ….. so I just smother it out by literally inhaling the innocence of my kids, breathing them in as we cuddle and play and dance to Beyonce.

I have my version of prayer and meditation when things are tough. I have my people I turn to for guidance and to crack open my thoughts: writers and comedians and people I love and all of that helps me grow and laugh and think.

But I am really scared. Times just seem so chaotic. I never know what news my New York Times alert app thing will alert me to when I get off of the train.

I want normalcy. I want my struggles to be about doing best by my loved ones and being happy and productive. But it seems that this fear and this sort of “what now?” is our reality. What will be the next scary thing? How will we adjust to the next one?

I know this is what it felt like for my parents too, as they went through scary times and tried to keep us safe and relatively free from suffering. And I guess that’s the true shift, because now I know they can’t make anything better. And I am in charge of making sure my small underlings are ok and protected by pretending its all going to be ok. I have been passed that particular torch.

I know this feeling will pass, soften, minimize. But the fear/anxiety/anger/sadness combo — it comes on hard, fast, and lately, all too frequently.

I sat down for our date night movie expecting a respite from the mental sludge I find myself struggling under lately. Said sludge is thick, opaque and a mishmash of Important Big Things: family illness, school shootings, Republicans, hurricanes and Not As Important Smaller Things: I look tired, I want people to read my mind, my hair looks bad. Also, I am tired and my hair looks bad.

Stuff came up for me this summer just before turning 40, so I was hoping Judd Apatow and Company would get at some of those emotions in a funny and relevant way with his film “This is 40.” Being married for eight years, having young kids and retiring aged parents, being somewhat settled on paper but still feeling restless – I’ve found this time of life to be complex and compelling, fascinating and terrifying. A middle place, as its been called. I’m a parent but sometimes wish I could still be a child. I yearn for freedom and want less responsibility but realize I will only have to take on more as the years pass because of my choices and situation.

At 40, I think I have the components of what I want in life but find myself searching, and often feeling disappointed. I have been hearing many variations on the mid-life crisis theme in my own world: several friends questioning their sexuality, for example, one member of a couple becoming an extreme exercise fanatic, yet another losing a ton of weight and getting weird. I’ve heard amazing things: marathons run, television shows produced, books published. And terrible things: Cancer — every minute it seems.

So back to the movie. How was this not funny? What a hilarious time of life right?

Yes, I nudged my husband at many moments that were scripted straight from our morning and evening routines, and laughed a few times at some of the mostly mean spirited jokes and the mocking therapy speak. But it was more of a bitter laugh than a belly laugh. These people were kind of awful. And strangely, every time Apatow had an opportunity for humor he let it end on a thud with something really dark or depressing. There was so much screaming at each other (mom and dad, daughter and daughter, daughter and mom, mom and daughter’s friend, daughter’s friend’s mom and mom) that at least 3 or 4 people walked out of our screening. They couldn’t take it.

People are criticizing “This Is 40” because of the clueless White People Problems of this family. They have money and groovy Hollywood jobs that allow them lots of free time for workouts — cool offices and boutiques with neon signs and ironic employees with mustaches. They drive fancy cars, go to a lovely private school, have personal trainers and houses too large for their needs.

It is hard to feel bad for them as they “struggle” with money, when the implication is that it will all be fine. I think this is mostly a distraction from the examination of a family and its values that could have had resonance. The beautiful house and great stylist Debbie (Leslie Mann) has for her perfect Cali-boho mom look is Hollywood movie crap that won’t trust an audience to deal with real emotions and problems without gloss. It is a missed opportunity to actually examine some of the ways people live beyond their means in order to “keep up”, just as I think Debbie’s focus on her (very beautiful, bordering on perfect) looks do not do any service to the issue of women aging gracefully. Lying about her age in the doctor’s office? That’s just stupid. Who is she, my Grandma Jeannie? And all the supposed jokes about sagging breasts and hemorrhoids and gynecologists and no feeling “down there.” True, yes, but funny? Nope, not funny.

(And by the way, where the hell is the couple from “Knocked Up” and the kid? How about a mention of their whereabouts perhaps? Are they on an ashram in India or is that the next prequel/sequel?)

I think this movie really tried. Tried to be meaningful and honest by examining mid life and being in the middle place and blaming your parents and ultimately forgiving them. Trying not to be a hag (wife) or be checked out on the IPad playing Scrabble (husband) and being grateful for what you have (children, everyone in the movie). It wanted to say something about our culture’s bi-polar desires for indulgence and then self-improvement without wanting to do any really difficult, sustaining work.

And it’s bothering me because if this movie was marketed as a comedy as the trailer for it falsely did, then it at least should have been entertaining and better edited. Either that, or be a freaking documentary, with some normal looking people and the actual dullness of real life. I’m annoyed that if the tone decided upon by the director and editor was to be mostly insufferable for 2 plus hours, that that fact should have been plainly stated in the brochure: WARNING: THIS MOVIE IS NOT FUNNY. NOT WORTH IT FOR YOUR VERY RARE DATE NIGHTS.

But the real problem with this movie is a lack of true goodness in this couple you are supposed to care about and that my husband and I would want to hang out with on a double date. I wouldn’t want to have dinner with Paul Rudd and Leslie Mann’s characters, because I know they’d be talking shit on us after the date. But I would like to know who her dermatologist is and who does her hair and fashion styling and how she buys all those workout clothes and pays the decorator and the housekeeper without knowing there isn’t money in the bank.

So maybe this is the point of the film. Distractions are good because they keep us from getting at the thing that’s difficult: life’s a bitch and then you turn 40 and then eventually, after a not so hilarious doctor’s office montage set to cool music by Fiona Apple and Ryan Adams, you die.

Today is the day Evan and I married 8 years ago. It was dazzling and exhilarating and lives on as the most glamorous and narcissistic thing we’re likely to do. I’ve never looked glossier or been bossier. Champagne flowed. Evan wrote me a song. There was klezmer, funk and filet. I’ll never forget how breathless I felt gazing out from under the chuppah over our sea of peeps and knowing it was all downhill from there.

Anniversaries of wedding days are weird, because as the years stretch on the two events have so little to do with each other. Marinating in the memories of your wedding is like re-watching a well produced movie version of your life, where things are honed and planned and people paid to cater and flower. While celebrating another year wed is like is bingeing on a reality show shot with an iphone — sloppy, inconsistent, hilarious, cozy and tedious. With poor editing.

I’m just happy to be here, honestly. I feel blessed that we’ve made it this far. There’s so much heartbreak and difficulty just trying to be in the world and be a good person and just staying LUCKY that I can’t believe I have someone to not talk to while watching Friday Night Lights.

And I do treasure being married. It usually means there’s one person to do the stuff you don’t want to do, until you realize neither of you is actually going to fix the garbage disposal or clean the drain and that just sucks. I’m actually shocked that there is a man in New York who puts up with my terrible driving and temper and hasn’t left me for a younger model.

Every story of a marriage you thought was ok failing is definitely a reality check, like a kick in the stomach. The Amy Poehlers and Will Arnetts, Danny Devitos and Rhea Perlmans and every couple everywhere who can’t take one more day of each other. Not the end of the world of course, but dispiriting none the less. But what to do? You gulp, self examine, and then make dinner. What is the alternative?

I guess marriage is a mash-up of many possible high school extracurricular activities: debate team, musical theater, long distance running club, and detention. So of course sometimes, with all those things to keep up with and attend to, all you really want to do is hang out by the smokestack and cut class.

It’s fall, my very bestest time, and the season I most associate with being a productive citizen of New York City. I feel September shining on my face and pulsing through my heart – motivating me toward action on the one hand, and reflection on the other. I want to train for a marathon, go to a reading at the 92nd Street Y, eat something braised in a restaurant. Meditate.

(I also want to buy brown boots and a small black cross body purse that’s perfect for day but works at night.)

My children are sweet and small and delightful, but their presence has mostly eaten away at these nostalgic cultural montage shots of me lingering in bookstores, going to museums, learning something new that isn’t about where to take gymnastics or swimming after school. In the past 5 years I haven’t even gotten my shit together enough to get online on the day to buy tickets to The New Yorker Festival.

But suddenly, just as August slipped into September, I started feeling the fall fever. BAM. MOMA. WTF. TAL. Publishing. Music. Theater. Comedy. Radio.

I want back in.

So last night I forced Evan to get home early from work, skipped the second night of Rosh HaShannah entirely, and got myself to a bookstore a full hour and a half early to see my favorite writer read from his new novel. It felt like an epic motivation, and as usual I felt guilty for some vague reason, this time having to do with the lack of apples and honey for the kids, not doing enough to reinforce Jewish values in the home, etc.

I arrived to find a bunch of other nerds camped out against the wall to stake their claim, and I was overwhelmed with the thought of how much time I used to have to arrive somewhere early for a free event and just …. hang out and read my book, talk to strangers until it started. I met this adorable kid from Wisconsin who had just graduated from high school and is in his freshman year at Fordham. It was his first Brooklyn! We talked about Dave Eggers and Jonathan Franzen and Jennifer Egan. He was coming back for Salman Rushdie on Saturday. He was young enough to have the brain cells be able to quote lines from The Mysteries of Pittsburgh. He was the cutest ever but could actually be my son.

When Michael Chabon showed up I had that feeling I used to have when I worked in publishing and got to see an author I admired up close. At first it’s kind of awkward because everyone is there to get a glimpse and a taste, so there’s that worshipful, almost creepy vibe, and there’s the super chipper book publicist and the nervous bookstore clerk introduction of him, and he doesn’t really know where to look, and you’re standing in front of him because you got there early and you feel like you know him because you follow his wife on Twitter.

And as he read this incredible passage from “Telegraph Avenue,” I got almost a sexual charge because he is so talented and his dialogue and descriptions so delicious that it was truly a shiny special moment. I reflected back to all of those readings I went to in my 20’s and 30’s and I realized that I remembered every single one. These writers that I love — these Jennifer Egans and TC Boyles and David Foster Wallaces and John Irvings, they really are my true pleasure, and how totally thrilling is it that they continue writing and I get reap the benefits? So simple and obvious, but I really felt lucky grateful to them in that moment.

I stuck around until the very end to get my book signed and I got to meet him and talk to him for a moment about growing up in Pittsburgh. Just getting to connect with that brain, and see that awesome hair up close, even for under a minute — I’ll never forget it. That’s culture baby. That’s September.

I haven’t been mistaken for a girl in a while. People trying to get my attention who don’t know me call me ma’am, lady, miss, or hey you tired looking female person. I’m no girl, and most days I’m good with that.

But I very much cherish the show “Girls.” I think it’s moving and totally unexpected. The characters remind me of all the curious, honest and narcissist New Yorkers I know and love — evocative combinations of some of my most favorite people. The writing and acting are both spot on. For better or worse, this is how girls who like each other talk to each other. “Girls” perfectly showcases how being in your 20’s is an exhilarating but equally horrifying time.

The show and creator Lena Dunham have been getting some great reviews, but also getting slammed for various reasons. From nepotism to the lack of racial diversity amongst the characters, to it being depressing, to the fact that these spoiled characters need to “Get a job!” I am confused by why people seem so pissed of about the show. I don’t really want to defend myself for liking it. People who don’t want to watch it or want to complain that it only got made because of Brian Williams and David Mamet are bitter and shouldn’t watch it. But they’ll miss hearing an amazingly formed voice bend around some serious funny. I’ve listened to a lot of interviews with this girl/woman and she is a girls’ girl, in that she has an open mind and is willing to put herself out there in ballsy way. And one of the most awesome things is that she’s not on TV because she’s hot. She’s on TV because she’s smart, funny and fearless.

(Ok, so I guess I am defending it).

But really, how great was it on this most recent episode when Hannah was at the doctor and they called out her weight (and it wasn’t 111 pounds), and she said something like: “Actually, I had my belt on.” I mean, who hasn’t thought or even said that?! And the humorless doctor/nurse was perfect.

The characters are so talky and therapized and 70’s Woody Allenish! I love the way the Allison Williams character is so pretty and poised and has the good entry level job and so therefore is the responsible one making the STD and abortion appointments at the women’s clinic, and of course has the really cute doting boyfriend probably also with a great job who probably just got his first book deal or whatever at age 25. And yet, she’s unhappy and unfulfilled and annoyed with Jessa (the British one) for being so Joni Mitchell-ish and getting to wear floaty pants and floppy hats. While Jessa is miserable and caught up in her own novelistic drama that she created by being irresponsible and self absorbed? And Hannah’s job interview where she let herself get comfortable and flirty enough to make a rape joke? Cringe-worthy in the best “Louie” way.

Far from being a flip show about people who are unlikeable, I think “Girls” is really deep and emotional and trying to get to the root of what it means to be an independent person in the world, flailing around trying to figure out what you think everyone else already knows. Dunham elegantly shows us how women put up with a lot of terrible things in relationships in order to have a few pathetic grasps of good feeling that come from being desired or desirable – I’d say that’s something a lot of women can relate to. It definitely struck a chord with me.

“I almost came,” Hannah says hopefully, after having silly, disappointing sex – because that’s exactly what would have happened in that situation. She’d convince herself it was ok because he got off, and even offered her a sports drink afterwards. And then she’d go talk it over with her friends on a bench with some frozen dairy treat made from questionable chemicals. And then, the vapid friend, the one who might be in law school and still wears Juicy sweatsuits, would whip out some stupid book similar to “The Rules” and quote from it earnestly. Yep, pretty much.

I love this show because it reflects a moment in a time that is so fertile with material, but also so heinous to live through. I’m so relieved to be out of there personally, but grateful to artists/thinkers “wunder”whatevers like Lena Dunham. I’m so excited to hear more from someone this young and this good.

YOU GO GIRL.